People’s Reflections in the City: Exploring the Painting Practices of Figurative Expressionism by Academic Research

dc.contributor.advisorلايوحد
dc.contributor.authorBaker Mohammed Al-Abbas, Mohammed
dc.contributor.authorMustafa Khaleel Abu Hammad, Rawan
dc.contributor.authora Mahmoud Mohammad Al-Tawalbeh, Fatima
dc.contributor.author(Mohammed Amin) Mahmoud Al-Alawneh, Mariana
dc.contributor.authorSalim Suleiman Issa, Yahya
dc.contributor.authorYousef Ahmad Jawabra, Naser
dc.contributor.authorFarhan Obed, Abed
dc.contributor.authorTahir Anees, Rao
dc.date.accessioned2021-10-10T07:20:30Z
dc.date.accessioned2022-05-22T08:54:41Z
dc.date.available2021-10-10T07:20:30Z
dc.date.available2022-05-22T08:54:41Z
dc.date.issued2020-05-12
dc.descriptionnoen_US
dc.description.abstractAbstract The present studio-based paper aims to explore the creative reflections of the aesthetics of otherness within the practical phases of the painting production. This paper represents an experimental endeavor to create a twodimensional artwork, which is a hybrid painting technique on canvas with mixed media and acrylic paints. Within such a specific practice-based context, each phase of this practical approach outlines a critical significance from the first phase of creating that painting to the completing phase. The practical methodology is the tool that converts the researcher's/artist's vision into creative academic production. The process of creating the painting on the canvas is the methodology; such manner turns to be a primary reference for the present exploration. There is a significant paradigm in this approach, which focuses on the artwork as a morphological creature being created by the researcher/artist rather than a consequent result that only exists as a finished/complete/polished outcome. The outcome of this research is the record of the artwork production itself. This record presents visual references of the artwork progress as well as a textual reflective narrative to describe Journal of Education and Practice www.iiste.org this process with written words. This research-oriented artistic attempt introduces the artists and researchers in the domains of the Fine Arts to integrate the process of art-making into the methodologies of academic research. It is an academic text, reflective text as well as sequential images recording the artwork making. This studiobased experimentation is significant because it examines the aesthetics of the otherness into the expressive figurative abstraction in painting. Furthermore, the impact of such a studio-based approach manifests on advancing applications of the artistic oriented research in the field of Fine Arts globally on curatorial and academic levels.en_US
dc.description.sponsorshipnoen_US
dc.identifier.citationhttps://www.researchgate.net/publication/344360353_People's_Reflections_in_the_City_Exploring_the_Painting_Practices_of_Figurative_Expressionism_by_Academic_Researchen_US
dc.identifier.issnSSN 2222-1735 (Paper) ISSN 2222-288X (Online)
dc.identifier.urihttp://localhost:8080/xmlui/handle/123456789/8311
dc.language.isoenen_US
dc.publisherJournal of Education and Practiceen_US
dc.relation.ispartofseries10;11
dc.subjectContemporary Art Practice, Studio-Based Methodology, Practice-Based Research, Hybrid Painting Techniques, Multimedia, Mixed media, Photographyen_US
dc.titlePeople’s Reflections in the City: Exploring the Painting Practices of Figurative Expressionism by Academic Researchen_US
dc.title.alternativenoen_US
dc.typeArticleen_US

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