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People’s Reflections in the City: Exploring the Painting Practices of Figurative Expressionism by Academic Research

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dc.contributor.advisor لايوحد
dc.contributor.author Baker Mohammed Al-Abbas, Mohammed
dc.contributor.author Mustafa Khaleel Abu Hammad, Rawan
dc.contributor.author a Mahmoud Mohammad Al-Tawalbeh, Fatima
dc.contributor.author (Mohammed Amin) Mahmoud Al-Alawneh, Mariana
dc.contributor.author Salim Suleiman Issa, Yahya
dc.contributor.author Yousef Ahmad Jawabra, Naser
dc.contributor.author Farhan Obed, Abed
dc.contributor.author Tahir Anees, Rao
dc.date.accessioned 2021-10-10T07:20:30Z
dc.date.accessioned 2022-05-22T08:54:41Z
dc.date.available 2021-10-10T07:20:30Z
dc.date.available 2022-05-22T08:54:41Z
dc.date.issued 2020-05-12
dc.identifier.citation https://www.researchgate.net/publication/344360353_People's_Reflections_in_the_City_Exploring_the_Painting_Practices_of_Figurative_Expressionism_by_Academic_Research en_US
dc.identifier.issn SSN 2222-1735 (Paper) ISSN 2222-288X (Online)
dc.identifier.uri http://localhost:8080/xmlui/handle/123456789/8311
dc.description no en_US
dc.description.abstract Abstract The present studio-based paper aims to explore the creative reflections of the aesthetics of otherness within the practical phases of the painting production. This paper represents an experimental endeavor to create a twodimensional artwork, which is a hybrid painting technique on canvas with mixed media and acrylic paints. Within such a specific practice-based context, each phase of this practical approach outlines a critical significance from the first phase of creating that painting to the completing phase. The practical methodology is the tool that converts the researcher's/artist's vision into creative academic production. The process of creating the painting on the canvas is the methodology; such manner turns to be a primary reference for the present exploration. There is a significant paradigm in this approach, which focuses on the artwork as a morphological creature being created by the researcher/artist rather than a consequent result that only exists as a finished/complete/polished outcome. The outcome of this research is the record of the artwork production itself. This record presents visual references of the artwork progress as well as a textual reflective narrative to describe Journal of Education and Practice www.iiste.org this process with written words. This research-oriented artistic attempt introduces the artists and researchers in the domains of the Fine Arts to integrate the process of art-making into the methodologies of academic research. It is an academic text, reflective text as well as sequential images recording the artwork making. This studiobased experimentation is significant because it examines the aesthetics of the otherness into the expressive figurative abstraction in painting. Furthermore, the impact of such a studio-based approach manifests on advancing applications of the artistic oriented research in the field of Fine Arts globally on curatorial and academic levels. en_US
dc.description.sponsorship no en_US
dc.language.iso en en_US
dc.publisher Journal of Education and Practice en_US
dc.relation.ispartofseries 10;11
dc.subject Contemporary Art Practice, Studio-Based Methodology, Practice-Based Research, Hybrid Painting Techniques, Multimedia, Mixed media, Photography en_US
dc.title People’s Reflections in the City: Exploring the Painting Practices of Figurative Expressionism by Academic Research en_US
dc.title.alternative no en_US
dc.type Article en_US


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